Paul Simonon
| Paul Simonon | |
|---|---|
 Paul Simonon at the Eurockéennes 2007 with The Good, the Bad and the Queen |
|
| Background information | |
| Birth name | Paul Gustave Simonon |
| Born | 15 December 1955 Brixton, London, England |
| Genres | Punk rock Reggae Alternative rock |
| Occupations | Bass guitarist, visual artist, vocalist, songwriter |
| Instruments | bass guitar, guitar, vocals |
| Years active | 1976 - 1993, 2006 - present |
| Labels | CBS Records Capitol Records Parlophone |
| Associated acts | The Clash Havana 3am The Good, the Bad and the Queen Gorillaz |
| Notable instruments | |
| Fender Precision Bass | |
Paul Gustave Simonon (born 15 December 1955) is an English musician and artist best known as the bass guitarist for punk rock band The Clash. Recent work includes his involvement in the album The Good, the Bad & the Queen with Damon Albarn, Simon Tong and Tony Allen, released in January 2007. In 2010, he reunited with Mick Jones, Simon Tong, Damon Albarn and friends for the Gorillaz album, Plastic Beach.
Contents |
Biography
Simonon was born in Brixton, London, England. His father, Gustave, was a clerk in the civil service and his mother, Elaine, was a librarian. He grew up in the South London area of Brixton, spending around a year in Siena, Italy with his mother and stepfather. Before joining The Clash, he had planned to become an artist and attended the Byam Shaw School of Art, then based in Campden St, Kensington (now part of Central Saint Martins College of Art and Design) relocated in Archway, London.[1]
He was asked to join The Clash in 1976 by lead guitarist Mick Jones, who planned to teach Simonon guitar. However, the instrument proved too difficult for Simonon, so Jones decided to teach him bass instead.[1] In fact, Simonon would learn his bass parts by rote from Jones in the early days of The Clash and still did not know how to play the bass when the group first recorded. He is credited with coming up with the name of the band and was mainly responsible for the visual aspects such as clothing & stage backdrops.[2] He was also immortalized on the front cover of the band's double album London Calling; Pennie Smith's image of him smashing his bass has become one of the iconic pictures of the punk era.[1][3][4][5][6]
Paul Simonon wrote three of the Clash's songs: "The Guns of Brixton" on London Calling, "The Crooked Beat" on Sandinista!, and the B-side "Long Time Jerk". He sang "Red Angel Dragnet" from Combat Rock but this song was written by Joe Strummer.
Simonon played bass on almost all of the Clash's songs. Recordings that he did not play on include: "The Magnificent Seven" and "Lightning Strikes (Not Once but Twice)" on Sandinista! (played by Norman Watt-Roy), "Rock the Casbah" on Combat Rock (played by Topper Headon), and 10 of the 12 tracks on Cut the Crap (played by Norman Watt-Roy). Many of the tracks on Combat Rock are thought to have bass tracks laid down by Mick Jones or engineer Eddie Garcia and early recordings on Sandinista! featured bass played by Jones or Strummer, some but possibly not all of which Simonon later re-recorded once he rejoined the sessions after filming Ladies and Gentlemen, The Fabulous Stains.[3][7]
Simonon's contrapuntal reggae/ska-influenced lines set him apart from the bulk of other punk rock bassists of the era in terms of complexity and the role of the bass guitar within the band.[8] He usually played with a pick as opposed to plucking the strings with his fingers.
After the Clash dissolved in 1986, Simonon started a band called Havana 3am. They recorded one album in Japan before breaking up. He also participated in a Bob Dylan session along with the Sex Pistols' Steve Jones that became part of the Dylan album Down in the Groove. Presently, Simonon works as an artist - his first passion before joining the Clash. He has had several gallery shows, and designed the cover for Big Audio Dynamite's album, Tighten Up, Vol. 88, as well as the cover for "Herculean" from the album The Good, the Bad and the Queen, a project with Damon Albarn on which Simonon plays bass. In 2008, after a seven year gap, Simonon began exhibiting paintings again with an exhibition at Thomas Williams Fine Art, London.[9] One of his paintings was bought by British singer Lily Allen for £23,500, according to the Telegraph newspaper.[10] Paul reunited with Damon Albarn and Mick Jones on the new Gorillaz album Plastic Beach, and is also the bassist of the Gorillaz live band supporting Plastic Beach, along with Mick Jones on guitar. The band headlined the 2010 Coachella Festival, and took up residence at the Camden roundhouse for two nights in late April 2010.
Musical equipment
Paul is known for using white Fender Precision basses and Ampeg amplification although he has also used Sunn amps. He is also known for decorating his own basses with paint and stickers, and his basses often had a text on the upper horn of the body.
Paul started off playing through a small unknown head-amplifier and a pink 4x10 cab, but in 1978 he began using Ampeg cabinets and amps and has since used Ampegs.[amp 1] His first bass was a "cheap knock-off", as he called it himself, that he used through 1976 and early 1977, which he splattered in paint.[bass 1] In 1977, during the recording of The Clash, he received a black Rickenbacker from Patti Smith, which he also decorated in paint, but he didn't quite like the sound of it as it sounded too thin, and he also thought it was too lightweight (he's stated that he prefers heavy basses, as they seem more resonant and robust).[bass 2] After that he got hold of a white Fender Precision Bass in 1978, and since has only played white Fenders live.[bass 3] This one was probably just a cheap bass, that he gave up (there's a possibility that he broke this bass during a concert in Paris, it's been stated that this concert ended in Paul throwing off his bass in frustration because of the sound, and that might have broken the bass).
Later he received a better Fender from CBS which he has used for many years. CBS used to give him a new bass every now and then. It was another P-Bass, and this one is known for having "Paul" scratched into the body. The pickups were black on all of his Fenders, but he changed the ones on this bass to white.[bass 4] This bass was used mainly throughout 1978 and used as a backup in 1979. He played a Wal JG Custom Bass during the recording session for Give 'Em Enough Rope in 1978, because the producer Sandy Pearlman suggested it, but Paul disliked it because it had too many switches.[bass 5]
In 1979 he got a new Fender, which was the one he smashed on the cover of London Calling. He strongly regretted that move, because it was his best sounding bass. This bass now resides in the Rock and Roll Hall of Fame.[bass 6] After it was smashed, it was back to the old Fender,[bass 4] which he used until he got a new bass in 1980[bass 7] (there is a small possibility that this is the same bass as Bass,[bass 8] before it eventually got modified). All of his Fenders up to then had maple necks.
However, in 1981 he got a Fender Fretless Precision with a rosewood fingerboard.[bass 9] He played this through 1981, but went back to using fretted Fenders in 1982. He then got hold of a Fender Precision with a black headstock, rosewood fingerboard, and white pickups.[bass 8] He then also changed the neck on his PAUL-bass to a neck with black headstock and rosewood fretboard.[bass 4]
The last two electric bass guitars[bass 8][bass 9] were mainly used as backup basses, and still are to this day, and the Fender Precision Bass,[bass 4] showed on the picture of him at the top of this section, is still his main bass, heavily worn and beaten up. He had a sunburst Precision in the last years of The Clash, but this one was only used as a backup and by Joe Strummer during the song "The Guns of Brixton".[bass 10]
He had a sunburst Epiphone Rivoli, which can be seen in the videos for "The Call Up" and "London Calling", but he was also seen with it in the earliest days of The Clash.[bass 11] It had probably belonged to Joe Strummer, Mick Jones or someone in their former bands: The 101'ers (Strummer) or London SS (Mick Jones). He used an Ovation acoustic bass during the recording of The Good, the Bad and the Queen.[bass 12]
Lists of Paul Simonon musical equipment
- Basses
- ↑ Cheap Brand Bass: Black w. paint-mess, (also had "POSITIVE" on its upper horn for a short while), Rosewood fretboard (used during the early days and during the recording of "The Clash")
- ↑ Rickenbacker Bass: Black w. paint-mess and "POSITIVE" on upper horn, Rosewood fretboard (used during the recording of "The Clash" and for touring in support of "The Clash" album)
- ↑ Fender Precision Bass: White w. paint-mess and "POSITIVE" on upper horn, Black pickguard, Maple neck (rarely seen, but used on the first concerts in 1978 and BBC TV Something Else Live 1978)
- ↑ 4.0 4.1 4.2 4.3 Fender Precision Bass: White w. "PAUL" carved on body (which was once covered up by stickers, which are now removed), Black pickguard (formerly with paint-mess), Rosewood fretboard (formerly maple neck) (used all the way from touring in support of the "Give'Em Enough Rope" album, both as main bass and backup bass, both live and recording, still used as main bass)
- ↑ Wal JG Custom Bass (Serial No. JG1126): Cherry Red, Black pickguard, Rosewood fretboard (used for recording the "Give'Em Enough Rope" album). Now owned by Leigh Gorman of Bow Wow Wow.
- ↑ Fender Precision Bass: White w. "PRESSURE" on upper horn, Black pickguard w. paint-mess, Maple neck (used for both recording and touring in support of the "London Calling" album. Smashed on the cover for "London Calling")
- ↑ Fender Precision Bass: White, Black pickguard, Maple neck (used as both backup and main bass during tours between "London Calling" and "Sandinista")
- ↑ 8.0 8.1 8.2 Fender Precision Bass: White, Black pickguard, Rosewood fretboard (used as both main and backup bass for touring in support of the "Sandinista" album, "Combat Rock" album, and "Cut The Crap" album, still used as backup)
- ↑ 9.0 9.1 Fender Fretless Precision Bass: White, Black pickguard, Rosewood fretboard (used as main bass for both recording and touring in support of the "Sandinista" album, "Combat Rock" album and "Cut The Crap" album, still used as backup)
- ↑ Fender Precision Bass: Sunburst, Tortoise pickguard, Rosewood fretboard (used as backup during the "Cut The Crap" album and tour)
- ↑ Epiphone Rivoli bass: Sunburst w. Black duct tape, Rosewood fretboard (used during the early days and the recording of "London Calling" and "Sandinista")
- ↑ Ovation Acoustic Bass: White, Ebony fretboard (used for recording "The Good, The Bad and The Queen" album)
- Amplification, effects, and strings
- ↑ Ampeg Bass Amps: Ampeg Classic Series SVT-CL Head and Classic Cabinet.
Discography
With The Clash
- The Clash (1977)
- Give 'Em Enough Rope (1978)
- London Calling (1979)
- Sandinista! (1980)
- Combat Rock (1982)
- Cut the Crap (1985)
With Havana 3am
- Havana 3am (1991)
With The Good, the Bad and the Queen
- The Good, the Bad and the Queen (2007)
With Gorillaz
- Plastic Beach (2010)
Simonon reunites with Clash guitarist Mick Jones on the album's title track.
References
- ↑ 1.0 1.1 1.2 Letts Don; Joe Strummer, Mick Jones, Paul Simonon, Topper Headon, Terry Chimes, Rick Elgood, The Clash. (2001). The Clash, Westway to the World. [Documentary]. New York, NY: Sony Music Entertainment; Dorismo; Uptown Films. Event occurs at 3:50–4:50; 19:30–55:00. ISBN 0738900826. OCLC 49798077.
- ↑ MTV Rockumentary. Interviewer: Unknown; Presenter: Kurt Loder. MTV, London, England. Transcript.
Related news articles:- "MTV Rockumentary Part 1". londonsburning.org. http://www.londonsburning.org/art_mtv_rockumentary_1.html. Retrieved 6 December 2007. "Mick Jones: One of the names that we had before we had the Clash was the Weak Heartdrops from the Big Youth song. Another I think was the Psychotic Negatives, but now neither of those worked.
Paul Simonon: It really came to my head when I start reading the newspapers and a word that kept recurring was the word "clash", so I thought "the Clash, what about that," to the others. And they and Bernard they went for it."
- "MTV Rockumentary Part 1". londonsburning.org. http://www.londonsburning.org/art_mtv_rockumentary_1.html. Retrieved 6 December 2007. "Mick Jones: One of the names that we had before we had the Clash was the Weak Heartdrops from the Big Youth song. Another I think was the Psychotic Negatives, but now neither of those worked.
- ↑ 3.0 3.1 Gilbert, Pat (2005) [2004]. Passion Is a Fashion: The Real Story of The Clash (4th edition ed.). London: Aurum Press. ISBN 1845131134. OCLC 61177239.
- ↑ Topping 2004, p.12.
- ↑ Green 2003, pp.195–196.
- ↑ Sweeting, Adam. "Death or Glory". Uncut. October 2004. p.70.
- ↑ Deeth, John. "Turning Rebellion Into Money: The Story of the Clash". jdeeth.home.mchsi.com. http://jdeeth.home.mchsi.com/clash.htm. Retrieved 18 February 2008.
- ↑ Prato, Greg. Paul Simonon Biography. allmusic.com. Retrieved on 24 February 2008.
- ↑ "Paul Simonon". Thomas Williams Fine Art Ltd. http://www.thomaswilliamsfineart.com/exhibitions/future/simonon/paintings/simonon_1.html. Retrieved 24 February 2008.
- ↑ Lily Allen seeking solace in retail therapy Telegraph 17 April 2008
Further reading
- Clash, The (1 October 2008). The Clash: Strummer, Jones, Simonon, Headon. London: Atlantic Books. ISBN 1843547880. OCLC 236120343.
- Gilbert, Pat (2005) [2004]. Passion Is a Fashion: The Real Story of The Clash (4th edition ed.). London: Aurum Press. ISBN 1845131134. OCLC 61177239.
- Gray, Marcus (2005) [1995]. The Clash: Return of the Last Gang in Town (5th revised edition ed.). London: Helter Skelter. ISBN 1905139101. OCLC 60668626.
- Green, Johnny; Garry Barker (2003) [1997]. A Riot of Our Own: Night and Day with The Clash (3rd edition ed.). London: Orion. ISBN 0752858432. OCLC 52990890.
- Gruen, Bob; Chris Salewicz (2004) [2001]. The Clash (3rd edition ed.). London: Omnibus. ISBN 1903399343. OCLC 69241279.
- Needs, Kris (25 January 2005). Joe Strummer and the Legend of the Clash. London: Plexus. ISBN 085965348X. OCLC 53155325.
- Topping, Keith (2004) [2003]. The Complete Clash (2nd edition ed.). Richmond: Reynolds & Hearn. ISBN 1903111706. OCLC 63129186.
External links
- The Clash website
- Interview with Bass Player magazine
- From Punk to Paint (BBC Interview)
- Paul Simonon's gallery at BBC
- Gallery at Msc.org
- Gallery at Art-Tube.com
- Interview with 3:AM Magazine
- Interview with Bassist Magazine
- Paul Simonon
|
||||||||||||||||||||||||||||||||||
Book
Category
Portal
WikiProject
|
||||||||||||||||||||||||||||||||||||||